SEARCH

FAQ'S

SUPPORT US

OUR TEAM

NEWSLETTER | SUPPORT

SEARCH
Home / Our Projects / Research / The Hand of the Artist: a research project on attribution / A copy of Caravaggio’s Crucifixion of St. Andrews

Digitisation

  

2021

A copy of Caravaggio’s Crucifixion of St. Andrews

Following conversations about the extraordinary painting of the Crucifixion of St Andrew with Dean Yoder, Conservator of Paintings at the Cleveland Museum of Art where the original hangs, a copy of the painting in the Museo de Santa Cruz in Toledo was also recorded in 3D and colour in December 2021.

The painting in Toledo, in poor condition but of great interest, is one of three copied versions of the original and it was digitised in 3D and colour, using the Lucida 3D Scanner and composite photography, over a period of four days starting on December 14th.

The Lucida 3D Scanner recording the surface of the Crucifixion © Osama Dawod for Factum Foundation

The Lucida 3D Scanner recording the surface of the Crucifixion © Osama Dawod for Factum Foundation

The Lucida 3D Scanner recording the surface of the Crucifixion © Osama Dawod for Factum Foundation

Share

TECHNOLOGY:

Lucida 3D Scanner

Panoramic Composite Photography
Related Projects

Digitisation, Institutional Collaborations, Research

The Hand of the Artist: a research project on attribution

Ongoing

Digitisation

El Greco’s Crucifixion

A PROJECT RELATED TO:

The Hand of the Artist: a research project on attribution

Other Projects by Factum

Veronese’s Diptych of Prophet Isaiah and Prophet Ezekiel

Aršama Seals of the Achaemenid Empire

Leonardo Da Vinci’s Last Supper and Donato Montorfano’s Crucifixion