The harp was recorded in high resolution using close-range photogrammetry and a cross-polarised filter to capture its intricate carvings. This technique proved effective in accurately documenting the gilded surface, providing precise results when physically rematerialised.
You can learn more about Factum Arte’s recording of the Barberini Harp on this page.

The original Barberini Harp © Factum Foundation

The 3D model © Factum Foundation

Gilding test of a detail © Oak Taylor Smith for Factum Arte




