Latest News
European Heritage Award / Europa Nostra Award 2026 for Factum Foundation for Digital Technology in Preservation
We are honoured to announce that Factum Foundation has been named a 2026 European Heritage Awards / Europa Nostra Awards laureate in the category of Heritage Champions — Europe’s most...
Workshop: Analysis and 3D Recording of Cultural Heritage in Venice
Factum Foundation, in collaboration with Fondazione Giorgio Cini as part ofARCHiVe Online Academy 2026, presents a workshop on the analysis and 3D digitisation of cultural heritage, held on the Island...
New evidence renews the search for Nefertiti’s tomb
New geophysical research has found “tantalizing evidence” of possible hidden chambers beyond Tutankhamun’s tomb (KV62), reviving Nicholas Reeves’s 2015 hypothesis that the tomb may conceal the burial place of Queen...
Bayeaux Tapestries and Parthenon Marbles
Serried ranks of teeming horses. Helmeted warriors with heavy shields. Cloaked and seated figures deciding the fate of the world. A bull brought to slaughter. The Parthenon marbles and the...
Adam Lowe at Leighton House: ‘Intimate Access to Articulate Objects’
“The truth is that the eyes and the fingers — the bare fingers — are the two principal inlets to sound practical instruction… The nature and properties of the materials...
Recreating a masterpiece by Antoni Peris
Factum Arte has completed the facsimile and partial reconstruction of Antoni Peris’s painting, Our Lady of Grace and the Grand Masters of Montesa. This new facsimile reproduces the exact shape,...
Time, place and context: The Last Judgement by Rogier van der Weyden at the Hôtel-Dieu, Beaune
Over the Journées Européennes du Patrimoine, Adam Lowe and Larissa van Moorsel joined Sandrine Allard-Saint-Albin, Marine Bigot and others at the Hôtel-Dieu des Hospices Civils de Beaune to discuss Rogier...
Major discovery in Amazonia: Study by Martti Pärssinen published in Nature
For decades, archaeology in the Amazon has been constrained by a simple fact: dense rainforest conceals the traces of the societies that once transformed it. What could not be seen...
A shape-shifting angel: re-recording El Greco’s Annunciation at Banco Santander
Soon after recording El Greco’s The Concert of the Angels at the National Gallery of Athens, Factum Foundation completed the re-recording of El Greco’s Annunciation, from the Colección Banco Santander. Although now in...
Factum Foundation and ARCHiOx at the Goodwood Festival of Speed 2026
From 9 to 12 July 2026, Factum Foundation took part in the Goodwood Festival of Speed (UK), more specifically in the festival’s exhibition Future Lab, dedicated to science, engineering and...
Bayeaux Tapestries and Parthenon Marbles
Serried ranks of teeming horses. Helmeted warriors with heavy shields. Cloaked and seated figures deciding the fate of the world. A bull brought to slaughter. The Parthenon marbles and the...
Recreating a masterpiece by Antoni Peris
Factum Arte has completed the facsimile and partial reconstruction of Antoni Peris’s painting, Our Lady of Grace and the Grand Masters of Montesa. This new facsimile reproduces the exact shape,...
Adam Lowe at Leighton House: ‘Intimate Access to Articulate Objects’
“The truth is that the eyes and the fingers — the bare fingers — are the two principal inlets to sound practical instruction… The nature and properties of the materials...
Time, place and context: The Last Judgement by Rogier van der Weyden at the Hôtel-Dieu, Beaune
Over the Journées Européennes du Patrimoine, Adam Lowe and Larissa van Moorsel joined Sandrine Allard-Saint-Albin, Marine Bigot and others at the Hôtel-Dieu des Hospices Civils de Beaune to discuss Rogier...
New evidence renews the search for Nefertiti’s tomb
New geophysical research has found “tantalizing evidence” of possible hidden chambers beyond Tutankhamun’s tomb (KV62), reviving Nicholas Reeves’s 2015 hypothesis that the tomb may conceal the burial place of Queen...
Workshop: Analysis and 3D Recording of Cultural Heritage in Venice
Factum Foundation, in collaboration with Fondazione Giorgio Cini as part ofARCHiVe Online Academy 2026, presents a workshop on the analysis and 3D digitisation of cultural heritage, held on the Island...
Surface relief and facsimiles at the Prado: ‘El Prado Siglo XXI’ and ‘A la manera de Italia’
Facsimiles and other forms of digital reconstruction are becoming increasingly important tools for communicating complex stories through innovative exhibition displays. Museo del Prado continues to lead this approach through its...
A shape-shifting angel: re-recording El Greco’s Annunciation at Banco Santander
Soon after recording El Greco’s The Concert of the Angels at the National Gallery of Athens, Factum Foundation completed the re-recording of El Greco’s Annunciation, from the Colección Banco Santander. Although now in...
The Duchess of Alba: recording and facsimile of one of Goya’s portraits
Factum Foundation is proud to have begun a new collaboration with Fundación Casa de Alba, focused on the digital documentation and facsimile production of one of the most important works in...
Press Articles
Conserving the past for the hands of the future
Oxford mythical beast carving mistaken as cow for 500 years
Could Nefertiti lie beyond Tutankhamun’s tomb?
Exclusive: New evidence for hidden chambers beyond Tutankhamun’s tomb
Completata la mappatura digitale della Cappella Contarelli a Roma. Quella coi capolavori di Caravaggio
Over 20,000 precolonial earthworks in the Southwest Amazonia
«La espada de las espadas» de Abu Dhabi lleva sello toledano
Visit Oulu Finland And Explore The Aaltosiilo Cultural Hub
“Preservar el patrimonio es conservar las historias que cuentan los objetos”
Reimaginar la Pieza Que Faltaba
La nueva vida de la Virgen de las Nieves: arte, ciencia y devoción bajo una misma carcasa
Riprodurre per restituire: il caso Veronese
«Es importante escanear o documentar digitalmente un bien cultural antes de que se produzca cualquier proceso de cambio»
It’s among the largest collections of Michelangelo sculptures ever shown. But there’s a catch
Factum, viaje al taller renacentista del siglo XXI
